Overheard on a Saltmarsh for Oboe, English horn and Piano- Erin Goad
This piece by Erin Goad was inspired by Harold Monro’s poem Overheard on a Saltmarsh (1951). The English horn takes the role of the goblin, while the oboe represents the nymph, while the piano paints the scene as the marsh bathed in moonlight. Performers are encouraged to experiment with its theatricality (and we did...).
This piece by Erin Goad was inspired by Harold Monro’s poem Overheard on a Saltmarsh (1951). The English horn takes the role of the goblin, while the oboe represents the nymph, while the piano paints the scene as the marsh bathed in moonlight. Performers are encouraged to experiment with its theatricality (and we did...).